Showing posts with label The Moth. Show all posts
Showing posts with label The Moth. Show all posts

Monday, January 26, 2015

The Luxury of Listening: Storytelling Podcasts

A Midsummer's Night Dream
by
Arthur Rackham, 1908
Recently, storyteller Allison Cox asked our colleagues on the Storytell listserv to share some of their favorite podcast sites. Below is a list of suggestions, along with additional links to stories that regularly stream live on radio stations.

While there is no substitute for a live performance, watching and hearing a storyteller weave their magic right before your eyes, these podcasts are certainly treasures in their own right.

I am sure your will find many wonderful stories among the many links below to brighten your days!




Podcasts and Radio Shows



The Art of Storytelling Show
http://www.artofstorytellingshow.com/

Everything is Stories
eisradio.org

The Moth 
http://themoth.org/


Porchlight Storytelling Series
http://porchlight.libsyn.com/


Stories of the Journey Home
http://www.storiesofthejourneyhome.com/

StoryCorps 

http://storycorps.org/

Tell a Tale


This American Life
http://www.thisamericanlife.org/


World of Storytelling
http://www.live365.com/index.live

 
Many thanks to Allison for asking the question and to the following storytellers for sharing the information:

Wendy Gourley
Jenni Cargill-Strong
Richard Martin
Ingrid Nixon
Nick Smith
Michael Williams


 

 

Karen Chace 2015 ©

Permission for private use is granted. Distribution, either electronically or on paper is prohibited without my expressed written permission. For permission please contact me at storybug@aol.com. Of course, if you wish to link to my blog via your website, blog, newsletter, Facebook page or Twitter please feel free to do so; I greatly appreciate your support and personal integrity.

Sunday, September 16, 2012

Spinning Stories into Gold

The Alchemist
from The Wind's Tale
"Gold! Gold! he shouted."
by Edmund Dulac, 1911
Jake’s Head
Gwen Bonilla © 2012

One of the most wonderful things about being a storyteller is the shared connection between the audience and the teller.  There is something truly magical about the giving and receiving of a story that allows everyone -- those hearing the story and the person telling it -- to grow and be enriched by the experience.

I began as a storyteller in schools, telling to elementary children -- mostly as a volunteer, but occasionally would luck into a paid gig.  I dreamed of one day making my living doing this thing I loved, creating worlds of words.  My heroes were the magnificent performance storytellers who have been talented enough and fortunate enough to make their living creating these story worlds: Bill Harley, Kevin Kling, and Elizabeth Ellis to name a few.  I loved to watch how they could hold an auditorium, a tent, a noisy gymnasium, utterly captivated with the tales they wove.

A few years ago, I discovered multi-sensory storytelling.  Multi-sensory storytelling is the use of sensory elements -- sound, smell, touch -- to enhance the story experience.  I was drawn to multi-sensory storytelling as a means to share stories with people with developmental disabilities such as Autism or Down’s Syndrome

For people with developmental disabilities, isolation and a sense of separateness are too often a fact of life.  Without language to receive, or to share conversation and communication, they are often left out of their communities.  Stories have always been a tool to connect people with their communities.  I wanted to bring specialized stories to these special audiences. I wanted to help them be a part of the story.

Two years ago, I formed the non-profit, Touching Stories, in order to bring multi-sensory stories to adults and children with developmental disabilities.  

Multi-sensory storytelling looks a little different than the storyteller at the campfire.  Different than the work of Bill or Kevin or Elizabeth; or the wonderful storycraft on programs like The Moth or This American Life.  In multi-sensory storytelling, the stories are simple -- short on plot and character and long on sensory experience.  They are told as the teller guides the audience, one-by-one, to explore items to touch, to manipulate, or to smell.  These stories are more snapshot than portrait.

And yet... that special connection still occurs.

Recently, I was telling at a day program for adults with developmental disabilities.  My audience on this day was a combination of non-verbal individuals, who required a great deal of hand-over-hand assistance to explore the sensory elements of the story, and others who were much more able to communicate verbally and to explore the sensory elements in their own way.

I was telling the story of The Monster on Grandma's Bed.  In that story, young Sarah, at Grandma's house for a sleepover, is awakened by a terrifying sound in the middle of the night.  When she reaches out in the dark to see what's there, she encounters something furry.  The sensory item for this part of the story is a canvas board covered in short, thick faux fur.

As always, I asked the participants what they thought it was.  Usually, the responses I get are "a wolf," "a bear," or "a monster."  But on this day, all the participants were in agreement:  the board felt like "Jake's head."

“Jake” was one of the audience members that day.  A young man in his early twenties, Jake was engaged and enthusiastic.  He had a bright smile and a lot to say.  As the board was passed from audience member to audience member, each said that they thought that the thing that Sarah was feeling in that dark room was Jake's head. Even the non-verbal participants, when asked, would point to Jake.  Each time, Jake’s smile grew wider.

The audience laughed on cue when the story went on to reveal that the furry thing was Grandma's fuzzy bathrobe and the terrible sound was Grandma's loud snores, but at this telling -- different from any other time I've told it -- that punchline was not the best part of the story. The sparkle had happened when they had made the decision to make that furry thing Jake's head. I had a lot of fun with it, but didn't really understand.

After the story was over, and I was packing up, Jake came to talk to me.

He told me that he is a cancer survivor, and had only in the last few months finished his course of chemotherapy.  His hair had just come back.

And in that telling, in that delightful, spontaneous improvisation, the whole room had celebrated the return of Jake's hair.

It just goes to show, no matter how simple, there's a whole lot of connecting that happens when a story is told.
 


Gwen Bonilla has worked with people with intellectual disabilities as a Human Services Professional for the past eight years. 

She created the StoryCrafters program to bring multi-sensory storytelling to children in elementary schools.  In addition, she has presented her stories to literacy programs, after school clubs, and charity fundraisers. She has served on the Rocky MountainStorytelling Board of Directors since 2008. Two years ago, she launched the Touching Stories program for children and adults with developmental disabilities.

Gwen's passions for storytelling and for working with people with disabilities have informed every aspect of the Touching Stories program.


Gwen Bonilla is a guest blogger for Karen Chace and Catch the Storybug blog. All rights to this article belong to Gwen. Distribution, either electronically or on paper is prohibited without her expressed, written permission. Of course, if you wish to link to the article via Facebook or Twitter, please feel free to do so. I you would like to be a Guest Blogger contact Karen at Storybug@aol.com for the details.

Monday, July 16, 2012

Does "Your Story" Ring True?

Pinocchio, 1911
From, Das Plakat
Pinocchio’s Nose Grows ©
by Linda Gorham

* This article was previously published in the Northlands Journal, June 2010. It is republished here with her permission.

Truth in advertising. It’s a simple concept yet so many have, perhaps conveniently, forgotten how dishonesty can ruin careers. We have the politician who exaggerated his service in Vietnam, the renown chef who lied on his resume about where and for whom he cooked, the CEO who, well, didn’t actually ‘graduate’ from Harvard, and the Olympic athlete who, for years, denied taking steroids. Plus, there are countless people who lied about getting Medals of Honor in Vietnam. You’ve heard the responses, “Oops.” “Sorry.” “I misspoke.” And you’ve heard their consequences as they were humiliated, fired, jailed and/or forced to take early retirements.

This phenomenon is not just for the high profile professions. The temptation to exaggerate our experiences and qualifications occurs in every field – yes, even in the storytelling world. We too, could use a ‘truth in advertising’ reality check.
  • Are we bilingual because we tell The Barking Mouse?
  • Are we bona fide musicians if we occasionally bang on a drum, shake a tambourine, or blow into a recorder?
  • Does taking a workshop with fill-in-the-blank-big-name-storyteller make us similarly talented?
  • If we have told with fill-in-the-blank-big-name-storyteller, are we also qualified to be headliners?
  • Do we have the right to give ourselves the title Master Storyteller, Griot, or Baba?
Are we tiptoeing into Pinocchio nose growing situations? Are we portraying ourselves honestly? Are we standing behind our own credentials? Are we creating experiences and qualifications we don’t really have? Are we afraid we blend in with in the increasingly crowded world of storytelling that we won’t be noticed?

We all spend hours creating, editing, and tweaking our resumes, brochures, websites, blogs, and all the other marketing tools at our disposal. We check for typos, punctuality, and grammar. How about one more check … for honesty?

We each want to stand out. That’s a human trait. It reflects a desire to grow and get the jobs we feel we deserve. But it is my hope that we want to stand out on our own skills, experiences, and talents. Find your own voice. Figure out who you are and what you have to offer. Ask yourself, “What makes me extraordinary and unique?”

·           What type of stories do I tell?
·           What kind of emotional energy do I convey?
·           What do I offer that is distinctive?
·           What is my look, my colors, my signature style?
·           What descriptive words do I want someone to say after seeing me perform?
·           What do I have to offer that sets me apart from others?

Be remarkable in your own right and you will never feel the need to define yourself by your relationships with others. There are plenty of ways for you to express your own creative uniqueness.

Seth Godin defined the concept of individuality in his book PurpleCow. Godin’s thesis is that we have all seen plenty of black and white cows. Dime a dozen, right? Just think how excited we would be to see something new, something unique, something that stands out – something like a purple cow! Is there room for individual and event purple cows in the storytelling world? Absolutely!

Purple cow-type storytelling events are growing fast. The Moth is a purple cow. The Moth started as a group of people sharing stories monthly in someone’s living room. The concept is to have very short humorous personal stories, selected by lottery, that are told in small bar-type clubs. Since 1997, The Moth has had over 3,000 sold-out events in over eight major US cities reaching over 100,000 people. 

A Fringe is a purple cow. The Fringe concept started in Edinburgh, Scotland in 1947 as an alternative festival that played concurrently, but outside the formal location, of the Edinburgh International Festival. Fringes don’t focus on a single genre. They are ‘performing-arts smorgasbords’ that embrace theater, dance, puppetry, and spoken word. There are fifteen fringe festivals in the United States and many more throughout the world. Fringes are growing fast!

Individual storytellers are purple cows too. Today we see storytelling combined with dance, music, mime, and puppetry. We see more movement, more staging, and extreme body language. There are no limits.

Eighteen years ago, I was part of a group of writers who wrote and published Quality Angles. This book, geared to business executives, was a thesis on what it takes to be successful and balanced in the business world. My contribution was to find and interview people with unusual (Purple Cow type) jobs.

Finding them in the pre-Internet age was a challenge. I searched newspaper archives, library reference books, and bookstores. I also asked everyone I knew for leads. In the end, I found twenty amazing people. Among them was an ice cream taster whose tongue was insured for $1,000,000. I also found a woman who was a professional screamer, a full time rodeo clown, and even a professional storyteller. Imagine making money tasting ice cream, screaming in movies, protecting cowboys, and telling stories (to kids and adults)!

Interviewing these professionals was an eye-opening experience. They were all gutsy, determined, and not afraid to take risks. I asked them about the challenges of having unusual jobs and I asked them what advice they would give to others interested in doing the same. “Be unique,” they said. “Be known for excellence. Provide the highest standard of what your customers need. Provide your skills in a new way to show your customers the possibilities beyond what they think they require.” And from my ice cream taster, “Keep your reputation strong; be known as a person of integrity.”

My mother was famous for saying, “The truth will set you free.” I don’t think she would mind if I alter her mantra just a little bit. Honestly evaluating who you are and what you have to offer is key. Truth in advertising will set you free.

  
Dynamic and exciting, Linda Gorham engages her audiences by using movement, humor, and sometimes zaniness as she tells imaginative folktales (and more!) updated with “attitude!” Her stories, keynotes, and history programs inspire, entertain, and inspire all ages.

Linda performs internationally as a storyteller, speaker, and workshop presenter. Since 1989, in addition to her work in schools and libraries, Linda has customized programs for festivals, museums, keynotes, conferences, staff development, and corporations. 
www.LindaGorham.com

 * Linda Gorham is a guest blogger for Karen Chace and Catch the Storybug blog. All rights to this article belong to Linda. Distribution, either electronically or on paper is prohibited without the  expressed written permission of Linda.


Thursday, December 1, 2011

Wisdom, Wit and Wonder - Fabulous Fairy Tales!

The Frog Prince and Other Stories
by Walter Crane, 1874
“Deeper meaning resides in the fairy tales told to me in my childhood than in the truth that is taught by life.”
~
 Friedrich von Schiller

Recently, my colleagues and I have been discussing the lasting importance of fairytales amidst the plethora of personal stories on festival stages and  at story slams. Don't misunderstand me, I love a well-told personal tale; I have taken part in story slams and strongly support my local organization, massmouth.org. The current popularity of that genre offers the wonderful benefit of introducing a younger audience to the art of oral tradition. However, more than ever it seems as if the old tales are being relegated back to the nursery and adults assume fairy tales are for children.

In doing a bit of research for this post I came across this wonderful quote:

"Once upon a time, back when animals spoke and rivers sang and every quest was worth going on, back when dragons still roared and maidens were beautiful and an honest young man with a good heart and a great deal of luck could always wind up with a princess and half the kingdom - back then, fairytales were for adults...." Neil Gaiman


It is my hope that one day telling fairytales will be as mainstream and hip as The Moth and its facsimilies around the country. So here is short list of antique books on line, filled with stories. In the new year I will research and post more; the possibilites are endless.

Fairytales contain the wisdom, wit and wonder of the ages. Give them a try and you just might be swept away by story!

A Book of Fairy Tales from Many Places
Andrew Lang’s Colored Fairy Tale Books – They’re all here from blue to violet!
http://www.sacred-texts.com/neu/lfb/index.htm

Armenian Fairy Tales - Sixteen interesting folktales from the ancient country of Armenia.http://www.armeniaemb.org/Kids/ArmenianFairyTales/index.htm


Beauty and the Beast by
Warwick Goble, 1923
Canadian Wonder Tales by Cyrus MacMillian
http://tinyurl.com/6un85nh

Celtic Fairy Tales
http://tinyurl.com/6o7ksrx

Czechoslovak Fairy TalesSeventeen stories from the Baldwin Project.
http://tinyurl.com/87nv9hh



Fairy Tales by Howard Pyle, 1903.
Fairy Tales from the Arabian Nights by E. Dixon, 1893.
Fairy Tales from Many Lands by Katharine Pyle, 1911. The Evil One Who Married Three Sisters, The Seven Golden Pea Hens and other unique stories are found within.
http://www.archive.org/details/fairytalesfromma00pyle


Fairy Tales and Folktales of the Irish Peasantry - Edited by W. B. Yeats and published in 1888 the stories are here to enjoy, courtesy of Sacred Texts. Revel in tales of the Merrow, Changelings, Pookas, Fairies and Banshees, Saints, Priests, Giants and Devils, Kings, Queens, Earls and Robbers; Yeats covers them all!
http://www.sacred-texts.com/neu/yeats/fip/


Fairies at the Cradle
by Warwick Goble
Grimm’s Fairytales – 209 tales by the Brothers Grimm.
http://www.cs.cmu.edu/~spok/grimmtmp/

Indian Fairytales by Joseph Jacobs, 1912. It offers twenty-nine tales from Eastern India and gorgeous illustrations to complement each story. http://www.sacred-texts.com/hin/ift/index.htm

Japanese Fairy Tales by Teresa Peirce Williston, 1911

Pepper and Salt – Literary Fairy Tales by Howard Pyle, 1885
http://tinyurl.com/7y6momu
      

Roumanian Fairy Tales and Legends
by Mrs. E. B. Mawr, 1881.
http://www.sacred-texts.com/neu/rft/

Russian Fairy Tales - The site shares twenty-one fairytales. Most offer both a short and long version, for those who want more details.
http://tinyurl.com/6blpls

Slovak National Fairy Tales - A Tribute to Pavol DobÅ¡inský (Dobsinsky) -Interesting background information on the writer who created the largest collection of Slovak folktales. It also offers insight into the Slovak heritage and presents fourteen folktales.
http://www.geocities.com/slovaktales/index.htm


The Junior Classics (Volume One: Fairy and Wonder Tales) edited by William Patten.http://www.gutenberg.org/dirs/etext02/1jrc110.txt


The Magic Ring and Other Oriental Fairy Tales by James Miller, 1861.
http://www.archive.org/details/magicringotheror00bobbiala


The Wonder Clock – Literary Fairy Tales by Howard Pyle, 1887.
http://tinyurl.com/7mswtce

There’s Magic in Fairy Tales – My blog celebrating the birthday of Harry Houdini from March of 2011. There are fairy tales filled with magic, crafts, curriculum and a fairy tale story stretch I wrote as well.
http://karenchace.blogspot.com/2011/03/theres-magic-in-fairy-tales.html

Wonder Tales from Baltic Wizards by Frances Olcott, 1928.

If you missed the previous blog posts of public domain story collections go to:

Karen Chace 2011 ©

This blog post was researched and compiled by Karen Chace. Permission for private use is granted. Distribution, either electronically or on paper is prohibited without my expressed written permission. For permission please contact me at storybug@aol.com. Of course, if you wish to link to my blog via your website, blog, newsletter, Facebook page or Twitter please feel free to do so; I greatly appreciate your support and personal integrity.