Showing posts with label oral tradition. Show all posts
Showing posts with label oral tradition. Show all posts

Monday, April 21, 2025

Once Upon a Generation: Bridging the Generations One Story at a Time

Note: Andrea Lovett and I originally authored this article for the New England Storytelling (NEST) website in 2021. We continue to offer this program, pairing our storytelling students from elementary, middle, high school, and college with our local senior citizens. 

“When an elder dies a library burns down.” – African Proverb


Once upon a time a little boy saw a sepia toned picture of a stunning young woman with a mischievous smile sitting on a wooden stoop, leaning back, striking a pin up girl pose. “Who’s that?” he asked. “That’s your grandmother.” Shocked and surprised he couldn’t believe that his beloved grandmother was the same young woman in the photo. That moment led to more questions. “How old is she?’ “Where is she?”  “What is she doing?” “Who’s taking the picture?” The idea that this woman led a different, full, interesting life before he was born sparked the idea for our Once Upon a Generation program in 2015 that continues to this day.

Once Upon a Generation © is a twelve-week intergenerational program connecting senior citizens with middle school students through story. We pair storytelling students from Karen’s after-school Story Explorers program with local senior citizens for a ten-week workshop and finish with two community performances. The students are selected for their storytelling abilities, their level of maturity and ability to collaborate with the seniors.

Each year we reach out to senior citizens through the Council on Aging (COA) organizations in Freetown and Lakeville. Details about the upcoming program are published in their newsletters, along with a date and time for an informational meeting learn more about our work. Funding for the program is secured through a grant from the Massachusetts Local Cultural Council program.

GATHERING THE STORIES

The foundation for this program is to connect the generations through story, shining a light on a world that in many ways, no longer exists. There is always an assortment of stories. While some tales are incredibly profound.

  • Surviving a devastating hurricane barreling up the coast before the 24-hour weather channel.
  • Coping with the loss a parent at an early age.
  • The childhood confusion of finding out your best friend, a person of color, is not welcome at the same ice cream counter.
  • Transitioning from a friendly, rural school to a city high school becomes the target of bullies.
  • How a child lived through the Great Depression when a glass of water froze over night because there was no heat in the home.


others are lighthearted and fun.

  • Seeing the technological wonders at the 1964 New York World’s Fair for the first time.
  • The excitement of winning a new bicycle at a local amusement park.
  • The panic of a five-year-old child being chased by a rooster on the family farm.
  • Winning the Betty Crocker Award.


Many experiences are foreign to the students, going to school in a one-room schoolhouse, milking cows on the family farm, living in a huge city tenement with sixteen 




  

separate apartments, being the only family on the block with a television set or having no television at all.

Certain memories are more familiar, going to your first school dance, playing Little League Baseball, and summer camp, or a surprising tale of two best friends in kindergarten who decide, “We’ve had enough!”  and decide to run away from their strict Catholic school!


No matter the topic, these stories offer a glimpse into their childhood that will create a bonding experience between the seniors and students.

The first three sessions are exclusively for the seniors, collaborating with them to find a memory from their lives, between the ages of five and twenty-five, sharing what life was like in the last century. The first few years of the program the seniors would arrive with snippets, anecdotes from their lives. We discuss which memory would make the best story for performance and they select the story they will develop.

In 2018 Rick was new to the program. He came to our first session with two story ideas. He described his first story; it was about the cat he now owned. While endearing, it did not fit the period we were seeking. We said, “Tell us about the second story.” What happened next stunned everyone into silence. Rick began to share his experiences during the race riots of the 1960’s and was present when Martin Luther King gave his “I Have a Dream” speech in Washington, D.C.

As we dug deeper, we learned how his musical abilities helped calm a group of families barricaded inside a church as the riots raged around them, then making his way home as military tanks drove through the streets and finally meeting Coretta Scott King after her husband’s assassination. When he finished, we shouted in unison, “That’s the story!” Now, seven years later, the seniors who have been with us from the beginning arrive not only with a solid story idea but with their story already written down.

During those initial three weeks we guide them, using worksheets and interactive activities to strengthen and edit their story. They learn a mixture of the storytelling skills the students will use in performance, gesture, expression, dialogue, and sensory details to assist their storytelling partner in transporting their story from the page to the stage.

PAIRING SENIORS, STORYTELLERS, AND STORIES

On the fourth week our seniors and storytellers meet for the first time. Prior to this class we decide which student(s) and senior will be paired together. Although several of our seniors and students return each year, we don’t necessarily pair the same senior and student together each time. The tone of the story and the individual strengths of each student are considered and discussed before we make our final decision. Sometimes two students will tell one of the senior’s stories in tandem.

The students listen to the stories then pair off with their senior, interviewing them to elicit more story details. Later, everyone comes together to play entertaining storytelling games that help us learn more about each other. Each step of this process helps them become further acquainted, a key component to begin the bonding process between both generations.

FINE TUNING THE STORIES

 







The following six weeks we meet with only the students. They have latitude, or ‘literary license’ in rewriting the senior’s story in their own words, fleshing it out, editing it down when necessary, and adding additional dialogue. We use various storytelling worksheets to help them break down and enhance the story further, utilizing sensory details and imagery. There are also fun, interactive storytelling games to get the story into their bones. There is also structured coaching time from us and their peers.



As our class time together winds down the seniors return for a sneak peek to hear what the students have accomplished with their personal stories. The storytellers perform for the seniors, receive encouraging feedback, along with the opportunity to make any changes. We also incorporate additional time for more storytelling games between the two groups to reinforce their connection.



We meet one last time with the students to put the finishing touches on their performances, participate in additional storytelling games, and go over our plans for the upcoming public performances.

PERFORMANCE TIME

The culmination of the project includes two public performances. This requires a bit of coordination between the students and seniors’ schedules, as well as when the performance facilities are available for our use.

At the very beginning of the program, we reach out to local organizations who might be interested in hosting the program. We’ve produced performances at the school library, the local public library, and a historical museum. During the pandemic we reverted to Zoom, inviting the students and seniors to appear on Karen’s cable television show, the Story Café in Seekonk, MA. This also allowed us to bring the program to a wider audience, outside of our community.

Both events are free, open to family, friends, and the community. We publicize the events via local newspapers, community bulletin boards, and social media. We also invite the local cable company to videotape the performance to air for the Freetown/Lakeville community.

The final performance includes a panel discussion, where the audience participates in a 

Q & A, asking the students and seniors specific questions about their experiences with the program, their stories, and the relationships they have cultivated. At the end of the evening there is an award presentation for all participants.

PIVOTING DURING A PANDEMIC

In 2020 the world stopped, and our work suffered. Yet, we decided to move forward with the program using Zoom. But would our seniors embrace this new challenge? We shouldn’t have been concerned as each one jumped into the technology pool with both feet. Using old technology, the telephone, we guided the seniors through the Zoom landscape. Although there were a few comical pitfalls. During one session a senior struggled to get his computer camera working. He continually called out, “I can hear you, but I can’t see you.” We frantically tried everything. Nothing worked but he continued with the session, using only his audio function. Later, Andrea reached out to him privately, attempting to solve the problem, only to discover he had placed duct tape on his camera lens because he was concerned about his personal privacy. Mystery solved!

Using Zoom allowed us to continue with the program, but more importantly, to remain connected with everyone during a very isolating time.

We even took the final performance ‘on the road’ via a Zoom performance on Seekonk Channel 9. You may listen to the stories here:
http://cable9.dyndns.org/CablecastPublicSite/show/7751?channel=1  

 

 

 

TODAY…

Walking down the hallway of the Council on Aging in Lakeville, MA we hear excited chatter coming from the open door of our classroom.

“I know just the story I am going to tell this year. Its about the time I decided to get lost in a snowstorm in New Hampshire. I was about eleven years old.”

 Another voice answers, “Oh I want to hear that one.”

 “My story is about Little League baseball this year. A game I didn’t like to play.”

 Laughter spills from the room. 

We give each other a knowing smile before entering. These voices are from our seniors in the Once Upon a Generation program ready to begin a new year. One of the most satisfying and unexpected outcomes of this program is the strong, personal relationships formed beyond the confines of the meeting room walls. Frequently we’ve overheard conversations unrelated to the program. For example, “Hey Pat, you want to try that new restaurant? We’ll call you next week.” 

And these connections extend to the students as well. The one comment echoed by both seniors and students every year is, “We wish we could spend more time together!”

We continue to modify the program, learning new things to enhance the experience for all; it is always a work in progress. While it is bittersweet saying goodbye each year, we know the genuine friendships established over the past months and years will bring us back together again, eager to share and hear brand new stories. Josie, one of our student storytellers, expressed it best,
"Everyone deserves to have their story told."



Please note, websites change at a rapid pace and weblinks may change or break without notice. I cannot be responsible for redirected or broken links. At the time of this posting all links were in working order. Thank you for understanding.

 

Karen Chace 2025 ©

This blog post was researched and compiled by Karen Chace. Permission for private use is granted. Distribution, either electronically or on paper, is prohibited without my expressed written permission. For permission, please contact me at storybug@aol.com  or karenchace.stories@gmail.com .  Of course, if you wish to link to my blog via your website, blog, newsletter, Facebook page or Twitter please feel free to do so; I appreciate your support and personal integrity.

 

 

 

Wednesday, February 24, 2010

Weaving Storytelling and Business with an Authentic Voice


Storytelling is the ancient art of Oral Tradition and now business executives are discovering what the revered seanchaí and griots have known for centuries; there is power in story. They are applying the premise to connect with their customer base in commercials and public relations, sometimes with poor results. To succeed, the key is to combine the two with an authentic voice and excellent listening skills.

"Storytelling plays constructive roles in the workplace, in organizations, corporations, government agencies, non-profits, and small  businesses." http://www.storynet.org/

“Storytelling is human universal and common themes appear in tales throughout history and all over the world. These characteristics of stories, and our natural affinity toward them, reveal clues about our evolutionary history and the roots of emotion and empathy in the mind.
By studying narrative’s power to influence beliefs, researchers are discovering how we analyze information and accept new ideas.”    
Scientific American Mind, August 2008

Artist:
Utamaro 1750-1806
Title: Weaving on a Loom

 
ARTICLES

It’s in the Telling of the Story by Dr. Tim Chandler
http://tinyurl.com/yfwrysd

The Secrets of Storytelling: Why We Love a Good Yarn - Scientific American, August 2008
http://tinyurl.com/y9pqdnk

5 Tips for Telling Better Stories by Marci Alboher
http://tinyurl.com/5ujrkl

Media Lab creates Center for Future Storytelling
http://tinyurl.com/yczuvpw

Sales Through Storytelling by Craig Harrison
http://tinyurl.com/yjh8ykj

Tell Me a Digital Story from Business Week by Marcia Stepanek
http://www.businessweek.com/2000/00_20/b3681103.htm

Use the Power of Storytelling for Business Information Sharing
by Chris King http://tinyurl.com/yh66to2

Work Zone: Storytelling workshop helps future lawyers hone critical skills
By Arielle Brustein http://tinyurl.com/yckzm39

“The creative economy is a powerful and positive global force. Together, artists, cultural nonprofits, and creative businesses produce and distribute cultural goods and services that impact the economy by generating jobs, revenue, and quality of life.” http://tinyurl.com/yhkveaf


BLOGS AND WEBSITES

Shawn Callahan's Anecdote site has excellent resources.
http://www.anecdote.com.au/archives/storytelling/  

Steve Denning
http://www.stevedenning.com/site/Default.aspx
 
Kathy Hansen has some excellent entries on her blog, A Storied Career.
http://astoriedcareer.com/

Ishmael’s Corner: Storytelling Through a Business Prism
http://www.ishmaelscorner.com/

Michael Margolis - Lots of good content there, including his new book, Believe Me, which can be downloaded free. http://www.getstoried.com/

Annette Simmons - Generous resources on her Group Process Consulting site. http://groupprocessconsulting.com/

Cathryn Wellner offers useful information for those in the non-profit sector.
http://storyroute.com/  *

*My thanks to Cathryn Wellner for sharing some of the resources in this section. cjwellner@gmail.com


BOOKS

The Corporate Storyteller: A Writing Manual & Style Guide for the Brave New Business Leader by Elaine Stirling

The Elements of Persuasion: Use Storytelling to Pitch Better, Sell Faster & Win More Business by Richard Maxwell and Robert Dickman

The Leader's Guide to Storytelling: Mastering the Art and Discipline of Business Narrative by Stephen Denning

The Power of Personal Storytelling by Jack Maguire

The Springboard: How Storytelling Ignites Action in Knowledge-Era Organizations by Steve Denning

The Story Factor (2nd Revised Edition) by Annette Simmons

Story Proof: The Science Behind the Startling Power of Story by Kendall Haven

Whoever Tells the Best Story Wins: How to Use Your Own Stories to Communicate with Power and Impact by Annette Simmons


DIGITAL STORYTELLING WEBSITES AND ARTICLES

Center for Digital Storytelling
This California arts organization assists “young people and adults in using the tools of digital media to craft, record, and share the stories of individuals and communities, in ways that improve all our lives.” http://www.storycenter.org/

Digital Storytelling Engages Tech-savvy Accounting Students
Knowledge@SMU 9/2/2008 “…digital stories are emerging as tools in a variety of settings. “They are increasingly used to entertain, teach, train, inform, promote and advertise. Corporations and public institutions use digital storytelling to motivate their human capital, create a legacy of corporate stories, and impart core values…” http://tinyurl.com/yhdcfd6

Digital Storytelling in Higher Education: Journal of Computing in Higher Education
Fall 2006, Vol. 19(1), 65-79 “…the potential for digital storytelling extends far beyond the fields of communication and media studies across many fields of study, including history, American Studies, business and leadership, knowledge management, community planning, and much more…” http://tinyurl.com/ylmf6tf

Tech Head Stories
A plethora of digital storytelling websites highlighting corporate storytelling, personal, educational and historic journals, along with tools to teach you how to “digital storytell.” There is also a good collection of traditional story resources as well. http://tech-head.com/dstory.htm


RESEARCH

"A big part of a CEO's job is to motivate people to reach certain goals. To do that, he or she must engage their emotions, and the key to their hearts is story." ~ Robert McKee, Harvard Business Review June, 2003   

The Brain by Leonardo Da Vinci



Hardwired for Story! by Kendall Haven

Neural Research - The human brain is predisposed to think in story terms. This predisposition is continuously reinforced and strengthened as the brain develops up through age 12. Adults arrive dependent on interpreting events and other human's behavior through a specific story architecture.

Research Confirms: Without established context and relevance, the human mind is unlikely to remember new information, and is even less likely to ever recall it.

• Bransford (1998) "When a topic is unfamiliar to readers/listeners, research shows that the natural tendency is to use familiar story structure with character goal, motive, and struggles to elaborate on available information and to provide mapping structures to bring prior knowledge and experience to bear on the interpretation of current input."

• Coles (1989) "Stories enhanced recall, retention, application of concepts into new situations, understanding, learner enthusiasm for the subject matter." and "Stories enhanced and accelerated virtually every measurable aspect of learning."

• Cooper (1997) "In fact, researchers have found that potential employers want their employees to have mastered two aspects of literacy often omitted from school curricula: listening and speaking."

• Engle (1995) “Story is an essential precursor to mastery of expository and logical forms."

• Mello (2001) "Each study documented that storytelling enhanced literacy." and "Storytelling was an
   effective learning tool that linked literature to content and experience."

• Schank (1990) "Storytelling has demonstrable, measurable, positive, and irreplaceable value in teaching."

• Tannen (1999) "Narrative details create mental images, making possible both understanding and memory."

• Tannen (1999) "Images (created by details), my research suggests, are more convincing and  
   more memorable than either fact or abstract propositions."

• Taylor (2001) "Storytelling is a valuable resource for developing critical thinking skills.





Karen Chace.© 2010
Please contact Karen Chace for permission to reproduce this post.
http://www.storybug.net/ or storybug@aol.com

Wednesday, April 8, 2009

Fools, Tricksters, Festivals, and Spring!

Hodja in a Yellow Caftan
by
Osman Hamdi Bey, 1905

"Foolery, sir, does walk about the orb
like the sun, it shines everywhere. "
William Shakespeare, Twelfth Night


On the first day of the month, known as April Fool's Day, we are given free reign to play good natured jokes on friends and family. Many different cultures shared days of foolishness around the start of April. The Romans had a festival named Hilaria on March 25, rejoicing in the resurrection of Attis. The Hindu calendar has Holi, and the Jewish calendar has Purim. Perhaps there's something about the time of year, with its turn from winter to spring, that lends itself to lighthearted celebrations. http://www.infoplease.com/spot/aprilfools1.html

Hodja is one of our favorite fools, and there are many stories associated with this interesting character from Turkey.

Nasreddin Hodja - Information and stories about the beloved character of Turkish tales, including reading comprehension exercises. This website is also a portal to many other Hodja sites.
http://www.cs.biu.ac.il/~schiff/Hodja/index.html

A well-known Trickster in Oral Tradition is Anansi. Anansi is one of the most important characters of West African and Caribbean folklore. He is also known as Anase, Kweku Ananse, and Anancy; and in the Southern United States he has evolved into Aunt Nancy. He is a spider, but often acts and appears as a man. The story of Anansi is akin to the Coyote trickster found in many Native American cultures.

The Anansi tales are believed to have originated in the Ashanti tribe in Ghana. (The word Anansi is Akan and means, simply, spider.) They later spread to other Akan groups and then to the West Indies, Suriname, and the Netherlands Antilles. On Curaçao, Aruba, and Bonaire he is known as Nanzi, and his wife as Shi Maria.
http://en.wikipedia.org/wiki/Anansi

Jamaican Anansi Stories - Tricksters are universal figures in folkore and Anansi is one of our most beloved. This site offers a wide variety of Anansi tales as well as trickster folklore from various cultures. The text also includes transcriptions of folk music, and a large collection of riddles, all cross-referenced with folklore studies from other cultures. There are also musical notations in some of the texts for the musical among us! http://tinyurl.com/6huzob

And what would April Fool's Day be without some laughter?

Tales of Laughter – What better way to jump into the month of fools than reading Tales of Laughter from 1908? A collection of familiar and not so familiar tales from Russia, Ireland, Spain, France and many more countries from around the globe. They are sure to have you smiling with delight!
https://archive.org/details/talesoflaughtert00wiggrich


The first day of spring this year was March 20 and soon, colorful flowers will be blooming here in the east, which calls for some stories about spring and the sun!

Apples4theteacher.com
- Fourteen stories to celebrate the wonderful season of spring. http://www.apples4theteacher.com/holidays/spring/short-stories/

How the Sun Was Rescued - Siberia
https://tinyurl.com/2976yx7x

Saving Spring – Scandinavia
https://www.thehindu.com/children/saving-spring/article17578551.ece  


The Spring Beauty - Native American/Chippewa
http://tinyurl.com/2tkbl2

Why Cats Sit on the Doorstep in the Sun - Rumania
http://tinyurl.com/2xga8h

Earth Day is April 22. What better way to celebrate than sharing stories about our beautiful planet?

Earth Cakes, Sky Cakes – Folktale from Vietnam
http://tinyurl.com/dy6dsv

When The Earth and Sky Were Married - Folktale from Muria/India
http://tinyurl.com/cw34y8

Earth Care – World Folktales to Talk About

A limited preview of this excellent book by Margaret Read MacDonald. You can read some of the folktales online, but I bet you will want a copy of your own.
http://tinyurl.com/aap7ug

After we leave the month of April it will be time to celebrate and explore the cultural celebration of Japan's Children's Day or Kodomo no Hi.


Woman Playing with a Child
with a Tengu Mask

by Kitagawa Utamaro
1795-1802
Japanese Folk Stories and Fairy Tales - Thirty-three folktales collected by Mary F. Nixon-Roulet and published in 1908. You can download the book for your own files.
http://tinyurl.com/ckvg49

Kids Web Japan
- A number of Japanese folktales for you students to read. Later, they may explore the culture of Japan using different links. http://tinyurl.com/bqjbur

CURRICULUM

Fables and Trickster Tales From Around the World – From Edusitement, lesson plans, information and stories, everything you need to introduce your students to those globe-trotting tricksters, Anansi, Brer Rabbit, Fox, and Rabbit. 
https://edsitement.neh.gov/lesson-plans/fables-and-trickster-tales-around-world 

Leap into spring with ABC Teach.com Counting games, math facts, printables, word searches and more.
http://tinyurl.com/bqmmvc

Flowers in the Classroom – Grades 5 to 8 Language Arts: Legendary Flowers lesson plan including myths, folktales and legends of flowers. http://www.teachertube.com/viewVideo.php?video_id=46597

Planet Pals.com
- This is a colorful, fun and information filled website on all things Earth: Lesson plans and activities for both teachers and parents, the history behind Earth Day, coloring pages, puzzles, clip art and so much more. http://www.planetpals.com/index.html

Japanese Folktales Lesson Plans for 3-6
https://www.clevelandart.org/sites/default/files/documents/lesson-plans/cma_lesson_ao_japanesefolktales.pdf 

Teacher’s Resource Guide: Japanese Art and Culture Outreach Kit - Although you may not be able to borrow the actual kit, there are many helpful curriculum ideas in this guide you may duplicate on your own.
http://jsma.uoregon.edu/sites/jsma.uoregon.edu/files/PDF/JapaneseArtandCultureKit.pdf

Activity Village – Make your own carp kite or origami to celebrate Kodomo no hi (Children’s Day). There are many other crafts, activities and printables to make this Japanese national holiday shine! 
https://www.activityvillage.co.uk/childrens-day


Please note, websites change at a rapid pace and weblinks may change or break without notice. I cannot be responsible for redirected or broken links.  At the time of this posting all links were in working order. Thank you for understanding.

 

Karen Chace 2009 ©

This blog post was researched and compiled by Karen Chace. Permission for private use is granted. Distribution, either electronically or on paper is prohibited without my expressed written permission. For permission, please contact me at storybug@aol.com. Of course, if you wish to link to my blog via your website, blog, newsletter, Facebook page or Twitter please feel free to do so; I greatly appreciate your support and personal integrity.