Showing posts with label students. Show all posts
Showing posts with label students. Show all posts

Monday, April 21, 2025

Once Upon a Generation: Bridging the Generations One Story at a Time

Note: Andrea Lovett and I originally authored this article for the New England Storytelling (NEST) website in 2021. We continue to offer this program, pairing our storytelling students from elementary, middle, high school, and college with our local senior citizens. 

“When an elder dies a library burns down.” – African Proverb


Once upon a time a little boy saw a sepia toned picture of a stunning young woman with a mischievous smile sitting on a wooden stoop, leaning back, striking a pin up girl pose. “Who’s that?” he asked. “That’s your grandmother.” Shocked and surprised he couldn’t believe that his beloved grandmother was the same young woman in the photo. That moment led to more questions. “How old is she?’ “Where is she?”  “What is she doing?” “Who’s taking the picture?” The idea that this woman led a different, full, interesting life before he was born sparked the idea for our Once Upon a Generation program in 2015 that continues to this day.

Once Upon a Generation © is a twelve-week intergenerational program connecting senior citizens with middle school students through story. We pair storytelling students from Karen’s after-school Story Explorers program with local senior citizens for a ten-week workshop and finish with two community performances. The students are selected for their storytelling abilities, their level of maturity and ability to collaborate with the seniors.

Each year we reach out to senior citizens through the Council on Aging (COA) organizations in Freetown and Lakeville. Details about the upcoming program are published in their newsletters, along with a date and time for an informational meeting learn more about our work. Funding for the program is secured through a grant from the Massachusetts Local Cultural Council program.

GATHERING THE STORIES

The foundation for this program is to connect the generations through story, shining a light on a world that in many ways, no longer exists. There is always an assortment of stories. While some tales are incredibly profound.

  • Surviving a devastating hurricane barreling up the coast before the 24-hour weather channel.
  • Coping with the loss a parent at an early age.
  • The childhood confusion of finding out your best friend, a person of color, is not welcome at the same ice cream counter.
  • Transitioning from a friendly, rural school to a city high school becomes the target of bullies.
  • How a child lived through the Great Depression when a glass of water froze over night because there was no heat in the home.


others are lighthearted and fun.

  • Seeing the technological wonders at the 1964 New York World’s Fair for the first time.
  • The excitement of winning a new bicycle at a local amusement park.
  • The panic of a five-year-old child being chased by a rooster on the family farm.
  • Winning the Betty Crocker Award.


Many experiences are foreign to the students, going to school in a one-room schoolhouse, milking cows on the family farm, living in a huge city tenement with sixteen 




  

separate apartments, being the only family on the block with a television set or having no television at all.

Certain memories are more familiar, going to your first school dance, playing Little League Baseball, and summer camp, or a surprising tale of two best friends in kindergarten who decide, “We’ve had enough!”  and decide to run away from their strict Catholic school!


No matter the topic, these stories offer a glimpse into their childhood that will create a bonding experience between the seniors and students.

The first three sessions are exclusively for the seniors, collaborating with them to find a memory from their lives, between the ages of five and twenty-five, sharing what life was like in the last century. The first few years of the program the seniors would arrive with snippets, anecdotes from their lives. We discuss which memory would make the best story for performance and they select the story they will develop.

In 2018 Rick was new to the program. He came to our first session with two story ideas. He described his first story; it was about the cat he now owned. While endearing, it did not fit the period we were seeking. We said, “Tell us about the second story.” What happened next stunned everyone into silence. Rick began to share his experiences during the race riots of the 1960’s and was present when Martin Luther King gave his “I Have a Dream” speech in Washington, D.C.

As we dug deeper, we learned how his musical abilities helped calm a group of families barricaded inside a church as the riots raged around them, then making his way home as military tanks drove through the streets and finally meeting Coretta Scott King after her husband’s assassination. When he finished, we shouted in unison, “That’s the story!” Now, seven years later, the seniors who have been with us from the beginning arrive not only with a solid story idea but with their story already written down.

During those initial three weeks we guide them, using worksheets and interactive activities to strengthen and edit their story. They learn a mixture of the storytelling skills the students will use in performance, gesture, expression, dialogue, and sensory details to assist their storytelling partner in transporting their story from the page to the stage.

PAIRING SENIORS, STORYTELLERS, AND STORIES

On the fourth week our seniors and storytellers meet for the first time. Prior to this class we decide which student(s) and senior will be paired together. Although several of our seniors and students return each year, we don’t necessarily pair the same senior and student together each time. The tone of the story and the individual strengths of each student are considered and discussed before we make our final decision. Sometimes two students will tell one of the senior’s stories in tandem.

The students listen to the stories then pair off with their senior, interviewing them to elicit more story details. Later, everyone comes together to play entertaining storytelling games that help us learn more about each other. Each step of this process helps them become further acquainted, a key component to begin the bonding process between both generations.

FINE TUNING THE STORIES

 







The following six weeks we meet with only the students. They have latitude, or ‘literary license’ in rewriting the senior’s story in their own words, fleshing it out, editing it down when necessary, and adding additional dialogue. We use various storytelling worksheets to help them break down and enhance the story further, utilizing sensory details and imagery. There are also fun, interactive storytelling games to get the story into their bones. There is also structured coaching time from us and their peers.



As our class time together winds down the seniors return for a sneak peek to hear what the students have accomplished with their personal stories. The storytellers perform for the seniors, receive encouraging feedback, along with the opportunity to make any changes. We also incorporate additional time for more storytelling games between the two groups to reinforce their connection.



We meet one last time with the students to put the finishing touches on their performances, participate in additional storytelling games, and go over our plans for the upcoming public performances.

PERFORMANCE TIME

The culmination of the project includes two public performances. This requires a bit of coordination between the students and seniors’ schedules, as well as when the performance facilities are available for our use.

At the very beginning of the program, we reach out to local organizations who might be interested in hosting the program. We’ve produced performances at the school library, the local public library, and a historical museum. During the pandemic we reverted to Zoom, inviting the students and seniors to appear on Karen’s cable television show, the Story CafĂ© in Seekonk, MA. This also allowed us to bring the program to a wider audience, outside of our community.

Both events are free, open to family, friends, and the community. We publicize the events via local newspapers, community bulletin boards, and social media. We also invite the local cable company to videotape the performance to air for the Freetown/Lakeville community.

The final performance includes a panel discussion, where the audience participates in a 

Q & A, asking the students and seniors specific questions about their experiences with the program, their stories, and the relationships they have cultivated. At the end of the evening there is an award presentation for all participants.

PIVOTING DURING A PANDEMIC

In 2020 the world stopped, and our work suffered. Yet, we decided to move forward with the program using Zoom. But would our seniors embrace this new challenge? We shouldn’t have been concerned as each one jumped into the technology pool with both feet. Using old technology, the telephone, we guided the seniors through the Zoom landscape. Although there were a few comical pitfalls. During one session a senior struggled to get his computer camera working. He continually called out, “I can hear you, but I can’t see you.” We frantically tried everything. Nothing worked but he continued with the session, using only his audio function. Later, Andrea reached out to him privately, attempting to solve the problem, only to discover he had placed duct tape on his camera lens because he was concerned about his personal privacy. Mystery solved!

Using Zoom allowed us to continue with the program, but more importantly, to remain connected with everyone during a very isolating time.

We even took the final performance ‘on the road’ via a Zoom performance on Seekonk Channel 9. You may listen to the stories here:
http://cable9.dyndns.org/CablecastPublicSite/show/7751?channel=1  

 

 

 

TODAY…

Walking down the hallway of the Council on Aging in Lakeville, MA we hear excited chatter coming from the open door of our classroom.

“I know just the story I am going to tell this year. Its about the time I decided to get lost in a snowstorm in New Hampshire. I was about eleven years old.”

 Another voice answers, “Oh I want to hear that one.”

 “My story is about Little League baseball this year. A game I didn’t like to play.”

 Laughter spills from the room. 

We give each other a knowing smile before entering. These voices are from our seniors in the Once Upon a Generation program ready to begin a new year. One of the most satisfying and unexpected outcomes of this program is the strong, personal relationships formed beyond the confines of the meeting room walls. Frequently we’ve overheard conversations unrelated to the program. For example, “Hey Pat, you want to try that new restaurant? We’ll call you next week.” 

And these connections extend to the students as well. The one comment echoed by both seniors and students every year is, “We wish we could spend more time together!”

We continue to modify the program, learning new things to enhance the experience for all; it is always a work in progress. While it is bittersweet saying goodbye each year, we know the genuine friendships established over the past months and years will bring us back together again, eager to share and hear brand new stories. Josie, one of our student storytellers, expressed it best,
"Everyone deserves to have their story told."



Please note, websites change at a rapid pace and weblinks may change or break without notice. I cannot be responsible for redirected or broken links. At the time of this posting all links were in working order. Thank you for understanding.

 

Karen Chace 2025 ©

This blog post was researched and compiled by Karen Chace. Permission for private use is granted. Distribution, either electronically or on paper, is prohibited without my expressed written permission. For permission, please contact me at storybug@aol.com  or karenchace.stories@gmail.com .  Of course, if you wish to link to my blog via your website, blog, newsletter, Facebook page or Twitter please feel free to do so; I appreciate your support and personal integrity.

 

 

 

Friday, June 5, 2015

Stories Tame the Drama Class

Lion Tamer
1873 Lithograph by Gibson and Company

Stories Tame the Drama Class
by Mary Garrett ©

Storytelling helped tame my “drama class from hell,” a difficult group, talkative and disruptive, for whom I had played “bad cop” to support my student teacher.  When it was time for her to move on, they begged her to stay and not leave them with “that mean teacher,” but they didn’t get much sympathy from her.  I wished that they would let me be the nice teacher I prefer to be, and I dreaded spending the last month of school with this horrible class.  How could I discipline this group with no “bad cop” of my own to rely on?

I had been looking forward to doing the storytelling portion of this class, the one area in which I felt I had much to give them. The storytelling unit in my short stories class had been a high point; we had even invited a principal to join us.  I had also used positive short stories to help my juniors face the dreaded (NCLB) MAP tests, starting a week in advance of the tests with stories about persevering through tough times, finding many at Story-Lovers.  The stories helped create a better atmosphere with less tension, more confidence, and much less complaining.

The first aspect that made the drama class a bit happy was when I told them NOT to memorize the stories word-for-word. They had complained that memorizing drama scenes was too hard, and I knew they would be relieved.  

I began each day’s work with one of my stories, as a model of storytelling and to show them my “nice” side.  I started with very short tales, “The Smell of the Bread”  and “The Lost Purse,”  recruiting students to play the characters. Laughter and comments like “She faked you out” when the greedy person received his just due were refreshing light moments. Perhaps there was some hope for us.

They fussed a bit when I told them they would be reading silently and taking notes on at least five stories to choose the one to tell.  “You’ll be able to talk once you have selected something to talk about,” settled them down. 

As they read and took notes on the large selection of photocopied stories, all with a focus on positive character traits, I would pull out the occasional story that I thought might fit a particular student. “You have hidden talents like this beetle. You help others, as does ‘Tante Tina.’” I also suggested that they . . . silently . . . pass along any stories they thought would be good for a friend. 

 I knew that they needed a silent room to begin working and thinking.  As they read and chose, I could see them getting interested and motivated, and the quiet students who hadn’t been able to do their best in a chaotic atmosphere were relaxing and focusing in the calmer room.

When they had selected the stories they wanted to tell, they storyboarded and summarized on a 3x5 card to get them away from word-for-word repetition of the story and focus on the essentials.  Students enjoyed an opportunity to work with crayons and markers again. They were smiling and showing off their pictures by this time. Students laughed as they recognized themselves, or others, in "The Talking Skull" -- "Woe is me! Misery! What I said was true. It was my mouth that brought me here, my friend. Your mouth has brought you too!"

They then told their stories to a partner, chosen by me to keep the cliques from regrouping. They were told to begin with compliments, because we all need them, and then offer suggestions gently. This was low-stress enough that even the shy students were able to tell to just one person, and they were enjoying the stories. We then put together pairs to have groups of four.  They had been doing so well with the project that they were allowed the privilege of choosing which pairs to combine.

I circulated in the room, encouraging, offering suggestions and making sure they were actually working.  Several of those whose ©stories were coming along especially well had been the most disruptive earlier -- that talent and desire to perform does come bursting out.  I invited them to share their in-progress stories with the class. The suggestions for improving already good stories were instructive to all, and the applause and compliments kept them from becoming “bored” and disruptive.

Several students declared that they were ready to perform, but the rest were not. The “ready” students became the team leaders or coaches of a larger group of eight, with the assignment to get all students ready to tell. We established rules for positive listening and talked about the importance of a good audience. "You are fighting because you only looked at my coat from your own point of view" (from "The Red and Blue Coat" -- Heather Forest). As we worked together on stories, we saw a bit more clearly from each other’s point of view.

When all were ready, they volunteered for their turns to tell. My most obstreperous young man told first, with pride and enthusiasm.  He had the talent, and his telling of “The Black Prince” was wonderful. The real surprise was his behavior after his telling. He was an attentive and generous listener, encouraging and complimenting not only the students he had coached, but every student in the class. When the final teller, an extremely shy young woman, told her story, the whole class listened as avid fans of her effort, and though her nerves did show, she told the story clearly, and their applause was sincere. 

This storytelling experience was so positive that we moved smoothly through the final days of school, and on the last day of finals I was able to tell them (with misty eyes) that I was proud of them and would miss them.



Mary Garrett is a guest blogger for Karen Chace. All rights to this article belong to Mary. Distribution, either electronically or on paper is prohibited without her  written permission. Of course, if you wish to link to the article via Facebook or Twitter, please feel free to do so. If you would like to be a Guest Blogger contact Karen at Storybug@aol.com for details.
  
Mary  Garrett   St. Peters, Missouri
http://www.storytellermary.com/
http://storytellermary.wordpress.com mgarrett@mail.win.org http://www.youtube.com/watch?v=dwd-z4Q4XwM
Frog & Friends and Courage and Wisdom CDs
http://itunes.apple.com/us/artist/mary-garrett/id344525632
http://www.cdbaby.com/cd/MaryGarrett

BE PART OF THE RISING TIDE!

If you are interested in becoming a Guest Blogger email me at storybug@aol.com for details with “Guest Blogger Information” in the subject heading and be part of the rising tide!

PREVIOUS GUEST BLOGGERS
An Audience of One by Barry Stewart Mann
http://karenchace.blogspot.com/2012/12/an-audience-of-one.html 

Bridging Difference through Storytelling by Noa Baum
http://karenchace.blogspot.com/2012/10/bridging-differences-through.html

Everything Old is New Again…by Mike Speller
http://karenchace.blogspot.com/2012/09/flying-high-with-fringe.html 

Fighting Demons with Compassion by Gaye Sutton
http://www.karenchace.blogspot.com/2012/08/fighting-demons-with-compassion.html 

Five Minute Creativity Boost by Monica Davis
http://karenchace.blogspot.com/2012/08/send-your-senses-soaring.html 

The Folly of Callow Youth Age by Judith Black
http://karenchace.blogspot.com/2012/12/listening-to-sirens-call.html

Her Story, Your Story, Our Story: An Afternoon with Women Who Have Escaped the Troll by Regina Ress
http://karenchace.blogspot.com/2012/07/escaping-troll.html

Jake’s Head by Gwen Bonilla
http://karenchace.blogspot.com/2012/09/spinning-stories-into-gold.html 

Pinocchio's Nose Grows by Linda Gorham
http://karenchace.blogspot.com/2012/07/does-your-story-ring-true.html

Stories from Cave Art to Computer by Jerry Haigh
http://karenchace.blogspot.com/2012/11/stories-from-cave-art-to-computer.html

Superlative Speakers Tell Superlatives Stories by Bill Lampton, Ph.D.

http://karenchace.blogspot.com/2012/08/weaving-spell-with-stories.html

Sweeping the Air, Catching the Dust by Eileen De Lorenzo
http://karenchace.blogspot.com/2012/08/sweeping-air-catching-dust.html

Wednesday, November 19, 2014

Dicing Up Your Story: New Storytelling Activity

Song Dynasty
by
Su Hanchen, mid 12th Century
Yesterday I met with my sixth and seventh grade storytelling troupe. They have already selected their stories so we spent some time identifying where they could add gestures as they told their tales.

I began by asking them to tell aloud, separately, and simultaneously. As I walked around the room, listening and watching, I noticed many natural movements coming to life.  One student, Soraya, was completely immersed in the story; her body bent forward, arms outstretched, her face displaying all the hallmarks of an intense conversation as she spoke some of the dialogue. So convincing was her body language I had to look twice to see if she was actually speaking with another student. When I remarked on it later during our discussion, she was surprised by my description. She truly didn’t realize what she was doing; it was a natural extension of stepping into her story.


After everyone finished I asked them to complete the written exercise,
Giant Gestures, then called everyone into a circle. Using a large, foam dice each student took turns tossing it. Whatever number came up they performed that number of gestures from their story, while explaining the part of the story the gesture complemented. Since the numbers went from one to six, and the written exercise only asked for five gestures, if six came up they shared five gestures and one facial expression.


They had a great time and didn’t want to stop. Luke, another student asked, “Do you know the Wonder Ball song?” He suggested we pass the dice as we sang the song, and the student left holding the dice would share a gesture. I liked the idea and added, “Since three is the magic number in fairytales let’s share two gestures and one facial expression.” Once a student was ‘out’ they sat in the middle of the circle urging their friends on.

I can easily imagine this dice being used for other story parts as well. Perhaps you might attach something specific to each number. For example:
#1 = gesture
#2 = two lines of dialogue
#3 = three facial expressions
#4 = four adjectives to describe someone in your story

#5 = use your five senses to describe the setting of your story

#6 = share six (major or minor) events that happen in your story

* These games are free for you to use in your work. However, I  do ask that you respect copyright and offer attribution.
 
After both games they completed a second written exercise, Story Snapshot. I was delighted to read the highly descriptive and detailed answers they gave for the questions. The combination of telling their stories aloud, completing Giant Gestures first, transitioning to activities that engaged the entire body, and back to one last written exercise, Story Snapshot, worked! The entire process complemented and reinforced their gestures, facial expression, story sequence, imagination, and team spirit, and they had fun in the process!

Next week I will try out a new activity, based on another childhood game. I will let you know how it turns out!
* Both exercises, Giant Gestures and Story Snapshot can be found in my book,
Story by Story: Creating a Student Storytelling Troupe.


Note: Yes, I know that normally the singular for dice is die. However, when I double checked before posting the blog this is what I read: The New Oxford Dictionary of English, Judy Pearsall, Patrick Hanks (1998) states that “In modern standard English, the singular die (rather than dice) is uncommon. Dice is used for both the singular and the plural.”


Karen Chace 2014 ©
This blog post was researched and compiled by Karen Chace. Permission for private use is granted. Distribution, either electronically or on paper is prohibited without my expressed written permission. For permission please contact me at storybug@aol.com. Of course, if you wish to link to my blog via your website, blog, newsletter, Facebook page or Twitter please feel free to do so; I greatly appreciate your support and personal integrity.

Tuesday, July 22, 2008

Great Oaks from Little Acorns Grow

2007-2008 Fourth Grade Story Explorers
  
The following is an article I wrote for the Florida Storytelling Newsletter. I thought I would share it with you as well.

Great Oaks from Little Acorns Grow
Karen Chace ©

 Once upon a time….Isn’t that how all wonderful stories begin? In June of 2002 I heard myself saying “I would love to start a Storytelling Club next year” during a conversation with Lisa, a fourth grade teacher at our school. And like Jack’s magic bean, the seed was planted. Last year we ushered in our sixth Student Storytelling Program and the troupe has now named themselves, The Story Explorers! Other storytellers often ask how it all began so I offer you a very brief blueprint of the pilot program, one which continues to be revised and nurtured each year.
 

2007-2008 Third Grade Storytellers



















Beating the Drums
Enlisting Lisa’s support was important since this would impact curriculum time. In September we began brainstorming ideas; the teachers agreed to offer the Storytelling Club to the third and fourth grade students.

First Steps
I wrote the proposal, sent copies to the teachers, and requested their comments on day, time, location and curriculum connections; a crucial step for the teachers to feel invested in the program.

The Pitch

Lisa and I met with the principal and explained our vision. Lisa’s participation reinforced the Storytelling Club’s faculty support. With the principals blessing I met with the PTO board, presented the proposal, and received full funding. A Massachusetts Cultural Grant funded the program in 2003 and has continued to offer some funding each year; the rest is supplemented by the Parent Teachers Organization.

Gaining Momentum
I met with the students, explained the program, and provided letters for their parents outlining our goals. Permission slips were returned and the teachers began the selection process; self starters who could maintain their studies while undertaking this new program. However, I strongly suggested they consider those who experienced difficulty with traditional teaching methods. I believed they would benefit as well, if not more; an insight that has proven to be true again and again.

The Beginning
I began with the fourth grade students in group format for ten weeks. I reiterated our goals; storytelling for their peers throughout the year and producing a Storytelling Festival in June. We created a Student Storytelling Contract outlining ways we would support each other throughout the year.

The Process
As the weeks progressed they participated in many activities that demonstrated:

  • Gesture
  • Vocalization
  • Intonation
  • Mime
  • Improvisation

Story genres were discussed, we visited the 398.2 section in our school library and I researched my personal folklore collection, choosing age appropriate stories for review. I offered guidance but did not select their stories sharing my motto, “You don’t pick the story, the story picks you!” Through storyboarding, visualization and other activities they began to internalize their stories. They also learned how to use a microphone properly while practicing before the story group. Even the shyest child glowed once the lavaliere was in place!

Building Bridges

Group coaching sessions followed Doug Lipman’s methods of Affirmations and Suggestions. Each student also received several individual coaching sessions with me. During these sessions I videotaped each teller and immediately played it back for their review. This self-assessment tool empowered them to identify their strengths and weaknesses, making a significant impact on their telling styles.

Let the Stories Begin!

We began with a small audience format, telling in one classroom at a time for approximately 25 students. After a few weeks, I grouped two classes together; the tellers were now sharing their stories with approximately 50 students. We slowly progressed from the classroom, to a larger activities room, and finally graduated to the auditorium, which would be the setting for our June storytelling festival. * At this time I began the second ten-week group phase with the third grade students.

Performance Support

I was always present, staying within their direct line of sight. If they momentarily lost their train of thought they could look to me for specific visual cues. Their story buddies also offered encouraging smiles, a pat on the back and high fives! The moment they all feared, the moment when their fellow students would laugh at them, never materialized. Instead, they heard words of admiration, delight and or course, applause!

The Festival Finale!
Without hesitation each teller stepped to the microphone, greeted 165 audience members and whisked us away on the wings of story. The evening showcased not only the confidence, personality and skills of each student, but illustrated the virtues of camaraderie and team spirit. They found their voice! Since 2002 one hundred and fifty students have taken part in the program.

The seeds were sown with one statement, "I would love to start a Storytelling Club", and we happily continue to nurture new tellers with each passing year. To read an article on this year's festival go to:

Freetown Youngsters Explore Art of Storytelling.
To hear an interview about the storytelling program on Eric Wolf's wonderful podcast site, click here and go: Karen Chace. If you are interested in the free resources I offer at the end of the podcast, I will be happy to share them with you as well. Contact me at storybug@aol.com and I will email them to you right away.